墨西哥城国立大学的学生罢课行动已经持续了月余，室友Sombra与Santos则宅在宿舍中，每日靠意淫电台节目中的女孩以及戏弄邻居的女儿、帮他们偷电等举动打发时间。Sombra的弟弟托马斯的到来打断了他们无所事事的生活——他的母亲因为他在楼顶扔水气球砸中邻居和婴儿的事件而劝他到城里避避。　　三人决定出发寻找托马斯的偶像、传说中的摇滚歌手Epigmenio Cruz。一路上他们穿过贫民窟、暴动的校园，抵达繁华的墨西哥城城市中心……

这部跨类别纪录片剖析墨西哥以至全世界最备受争议的团队：警队。警员其身不正却得以逍遥法外，大大削弱司法系统，究竟这种风气是怎样形成的呢？

即将退役的拳击手（盖尔·加西亚·贝纳尔 Gael García Bernal 饰）迎来了他最后一次冲击冠军的机会，为了赶上比赛之夜，他和他的经纪人（迭戈·卢纳 Diego Luna 饰）共同对抗一种神秘力量。

纽约一家餐厅的后厨，在午餐高峰期间，来自世界各地的厨师、帮厨、服务员都汇聚在这里。其中一位厨师，是年轻的墨西哥人佩德罗，他是一个梦想家和麻烦制造者，并爱上了女服务员茱莉亚。钱柜里的钱不见了，所有员工都要接受盘问，而佩德罗竟被指控偷钱给茱莉亚堕胎......故事开始朝着不可收拾的地步发展。

Fiesta en la madriguera tells the story of Tochtli, a boy who likes hats, dictionaries, samurais, guillotines, and the French. And now, all he wants is a new animal for his private zoo a Namibian pygmy hippo. HIs father, Yolcaut, is willing to satisfy his every whim, even if that whim is an endangered exotic animal. Because Yolcaut will always manage.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

Based on the novel by María Dueñas, a romantic drama set in 1860 against the backdrop of different

六名女子因一个共同的“朋友”—疯狂—而结缘。它造访我们每个人，促使我们提炼现实，做出大胆的决定， 并改变我们的生活。

在一场文学著作发表会上，一位女性坐在台前，朗读著书籍里的字句，抬头望见门口走进的男士，四目相望，勾起无限回忆。她是RosarioCastellano，上世纪墨西哥文坛最重要的诗人、作家，身为一位女性，长久以来致力为女性的权益、受父权社会压迫的群体而发声。在1950年代初期，当时还是位文艺少女的她遇上了年轻帅气的知识青年RicardoGuerra，两人步入婚姻有了共同的孩子，他成为哲学教授，而她则成为一位母亲、妻子与作家—这社会要求女性必须无条件地扮演好前两个角色，才有余地思考其余的事情。嗒嗒的打字机声响，成为原本相爱的两人最深刻的折磨，她如何在怀抱著文学创作梦与社会大众对女性角色的期待之间取得平衡？