故事发生在堪萨斯州的南部小城中，巴德（沃伦·比蒂 Warren Beatty 饰）是一个满脑子都是奇思妙想的高中生，一次偶然中，他邂逅了名为蒂尼（娜塔利·伍德 Natalie Wood 饰）的女孩。蒂尼的美丽和温柔深深的吸引着巴德，令他坠入了情网，巴德甚至在内心里暗暗的 发誓，此生一定要将蒂尼娶回家。　　然而，在民风保守的小镇上，这两个年轻人之间的恋情很快就遭到了双方家人的强烈反对，他们都对这两颗真挚的心嗤之以鼻。在一连串的波折和打击之下，自暴自弃的巴德竟然和蒂尼的同学（奥黛丽·克里斯蒂 Audrey Christie 饰）上了床。得知了此消息，蒂尼的精神崩溃了。

Walter Neff（弗莱德·麦克莫瑞 Fred MacMurray 饰）是一个成功的保险代理人，他在夜里回到办公室，开始在一个录音机上诉说他的故事......　　Neff为了取得Dietrichson先生的保险代理权，来到了他的家中，Dietrichson先生不在，Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson（芭芭拉·斯坦威克 Barbara Stanwyck 饰）。美丽的Phyllis让Neff感到不自然，而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中，Neff终于控制不住自己的欲望，愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象，以骗取“双重保险”。一切进行的非常顺利，Dietrichson先生死掉了，Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而，Neff的好友保险调查员Barton Keyes （爱德华·罗宾逊 Edward G. Robinson 饰）却觉得事有蹊跷，开始调查整个事件......　　本片改编自James M. Cain于1943年出版的同名小说，由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧，获第17届奥斯卡最佳影片等7项提名。

第四季时间来到1930年代初期，故事在魏玛共和国开始崩溃的混乱中展开。

瓦蕾莉亞清楚知道自己要過何種生活，就算男人一個接著一個換，也從不留戀。她是女子排球教練，除了教學生遊戲規則外，也教這些女孩如何獨立，如何避免在愛裡受傷。她唯一放下戒備的男生，是在一年前與她分手並令她心碎的前男友馬克。某次突如其來的意外後，馬克重新闖入她的生活。瓦蕾莉亞決定對他進行報復，只不過事情沒她想得那麼容易……

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

“小暴风女”亚历山德拉·希普、尼古拉斯·汉密尔顿([小丑回魂])商谈加盟斯科特·斯皮尔执导新片[藕断丝连](Endless，暂译)，故事讲述克里斯(汉密尔顿饰)、赖丽(希普饰)是对热恋的情侣，然而一次致命的事故迫使两人阴阳两隔。

最糟糕的选择是不选择。一位已婚女人发现自己成为了自己生活被动的旁观者。她的生活进入了一种无限轮回之中。一边是控制狂丈夫和令人失望的中产阶级婚后生活，一边是谜一样的陌生人试图说服她曾经在这个酒店有过一段外遇。影片还不时穿插着她的童年回忆——她的小姐妹正要喝滚烫的水，而知情的她却无动于衷没有劝阻她。

一位乐团指挥，怀疑自己的妻子和男秘书有染，将愤怒和失落融进了自己的指挥中

未来，英国进入一个资讯管控的时代，每个人的一举一动都遭到监视。因为被认定为恐怖分子，巴托在家中被捕，而且逮捕过程严格按照流程。这个案件引起了档案局职员山姆•劳伊（乔纳森•普雷斯 Jonathan Pryce 饰）的兴趣。随后，他遵从母命，进入资讯管理局工作，得以进一步调查此事。　　山姆家的空调坏了，在他求助无望之际，电气修理工达脱（罗伯特•德尼罗 Robert De Niro 饰）不请自来。他那一身武器装备，让山姆感到如临大敌。原来，达脱是资讯管理局通缉的要犯，他被指控的理由便是不遵守作业程序。随后，山姆发现资讯管理局对巴托案件存在不可告人的疑点，同事杰克（迈克尔•帕林 Michael Palin 饰）对此闪烁其词。于是，山姆决定一探究竟，其间他邂逅了梦中情人——吉尔•莱顿（金•格雷斯特 Kim Greist 饰），两个人并肩作战，发现了一个巨大的阴谋……

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.