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当他们第一次见面，他是高谈阔论的有志青年，她是向往成为名演员的未来之星。而如今，婚后的他们变了。他变成了在公司做不喜欢工作的无聊上班族，她成了不入流的糟糕演员。在一次演出后，丈夫弗兰克（莱奥纳多•迪卡布莱里奥饰）与妻子爱波（凯特•温斯莱特饰）大动肝火，两人多年的积怨终于爆发。莫非婚姻真的躲不过七年之痒？悲痛的爱波整理照片，发现弗兰克年轻的照片，想起他曾经描述的“美好的巴黎”，她提出了一个计划“全家搬到巴黎”，以拯救这个家庭。但是，这看似遥不可及的计划，却成为了催化剂，将两人推向婚姻更痛苦的深渊。

米基（格雷戈·金尼尔 Greg Kinnear 饰）是一位保险推销员，凭借着他的三寸不烂之舌，米基很快就在业内为自己打下了坚实的基础，很显然，目前的那一点蝇头小利早已经满足不了米基日渐扩大的胃口了，他正在积极寻找能够令他一步登天的机会。　　为了躲避北方寒冷的天气，米基南下回到了久未谋面的妻子乔安（莉·汤普森 Lea Thompson 饰）身边，让米基没有想到的是，他竟然因此意外的看到了前程的曙光。退休的农场主哈尔（艾伦·阿金 Alan Arkin 饰）成为了米基向上爬的垫脚石，而锁匠蓝迪（比利·克鲁德普 Billy Crudup 饰）的出现意外打乱了米基的算盘，随着时间的推移，米基发现，自己已经再也无法支撑他所编撰的重重谎言了。

艾丽（克劳黛·考尔白 饰）有一个显赫有钱的家庭，这恰恰成为她感情不如意的根源——父亲不赞成她和飞机师卫斯理结婚。艾丽一气之下离家出走，前去找卫斯理，不料途中钱财遭抢。遇上记者沃恩（克拉克·盖博 饰），沃恩得知艾丽是个不平常的富家女，确信艾丽非常有新闻价值，可以炮制出吸引眼球的新闻，便一路与艾丽同行。路上车前进遇阻，乘客得在半路住一晚旅馆，而身无分文的艾丽只能与沃恩同屋，并在床上用毯子间隔开两人来睡。旅途颠簸，意外连连，二人共同经历了不少难忘之事。感情在渐渐滋长。艾丽的目的地就要到了，两人的心中都有些欲言又止的情愫。面对自己本来想要寻找的卫斯理，面对父亲门当户对的思想，艾丽和沃恩的感情不知走向何处。

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

翁蒂娜和保罗曾经相爱。当翁蒂娜离开保罗，他发誓自己不会再爱了。为了证明自己，他去追求美丽的卡米尔，打算引诱她后再抛弃她。　　但卡米尔希望保罗只属于自己，并在他身上施了魔咒。　　慢慢为卡米尔的魅力所倾倒，保罗不得不面对他旧爱的记忆。

影片讲述了一名小丑表演者和自己的哥哥一起创建了一个网站，他们打扮成曾经声名狼藉的小丑Wasco，并将照片发布在网站上。然而他们不知道的是，这一举动竟然唤醒了早已死去的小丑Wasco，重返人间的Wasco大开杀戒，不断有凶杀案发生，社区内人心惶惶，为了自救，大家联合起来，合力希望打败恶魔小丑Wasco。

年逾七十的作曲家汤姆·怀特曼（Francis X. McCarthy 饰）罹患癫痫和血栓痴呆，他早已分不清现实世界，更遗忘女儿杰姆（Marianne Farley 饰）的存在。他的脑海，早已退转到那个充满奇幻色彩的童年时代。记忆的最深处，生活在孤儿院的10岁少年汤姆（奎恩·罗德 Quinn Lord 饰）受到雪人的邀请，御空飞行追赶多年未曾谋面的父亲（Ilkka Villi 饰）。他们遭遇风暴，坠落在一处陌生所在，四周是回环往复的不变旋律，汤姆甚至见到了年仅7岁的杰姆（Keyanna Fielding 饰）。仿佛不曾存在过的世界，以及三代人剪不清理还乱的情感纠葛。　　弥留之际的老人，灵魂困在朽败的躯体内，经历着毕生刻骨难忘的旅程……

Straight-laced, type-A personality Joy Miles has to take an unscheduled road trip to drive her forgetful, yet opinionated, mother-in-law, Loraine, from Louisville, Kentucky to Savannah, Georgia. Although initially impatient and frustrated, Joy begins to realize her true affection for Loraine as she takes a front-seat-view of how this strong-willed yet free-spirited woman manages the emotional transition of learning to live life after losing her spouse. Despite their many differences, and with light-hearted adventures at every turn, they discover how much they respect and even need each other.

Also new to the slate is recently completed Australian title Rough Stuff, an action-adventure story about an activist group which makes a dubious deal with a group of treasure seekers and their modified four-wheel-drives on an expedition through the Australian outback.