Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

玻利维亚富豪聚居的拉巴斯南区，一户典型的花园豪宅，犹如一个超大无菌气球，包覆着只在意上流排场与特权的女主人，成天只知性和狂欢的大儿子，厌恶上流社会阶级歧视的女儿，充满想像力的小儿子，以及一手包办全家大小事的原住民管家。镜头以一场一镜方式摇摄，犹如家庭成员一般，冷眼看着这个上流气球一点一点迈向破灭。

女孩霍滕西亚的父亲被电冰箱的门电击死去、被老板炒鱿鱼、男朋友和她最要好的闺蜜在一起了——绝望之中，她发现了自己十四岁时写的人生目标并自此信誓旦旦：“去和一个像父亲一样拥有金色头发的男孩结婚，并设计出全世界最美丽的鞋子。”然而当她没有认真去倾听自己内心真实声音的时候，事情只会越来越糟。最终她将电冰箱推向了悬崖，也不再管什么十四岁的愿望，让当下的自我去做选择。

In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life.

在19世纪中叶传统的贸易小镇波尔图，自傲的富家公子奥古斯托是作家卡米洛的朋友，他爱上了英国军官的小女儿范妮。面对周遭阻挠和几场分分合合之后，他们终于得以结婚。但婚后，奥古斯托因范妮与卡米洛通信而冷落范妮。之后，范妮因肺结核病倒，在压抑孤独的婚后生活中走向死亡。奥古斯托因命运的磨难，很快就跟随了芬妮的步伐。本片是奥利维拉登峰造极之作，以静止大胆的手法讲述时代变迁社会风起云涌之际贵族间的毁灭式的爱情，以及贵族男所特有扣逼唯美人格。

弗朗西斯和克劳迪娅是一对好朋友，他是一个律师，她是一个兽医。他们之间无话不谈，直到约翰的出现。克劳迪娅决定嫁给约翰，这时候弗朗西斯才发现自己对克劳迪娅的感情不仅仅是友情。

该剧翻拍自50年前的英国同名剧集（原剧改编自长篇小说，并且拥有多达15部衍生电影），在翻拍版中，温文尔雅的跨国大盗Simon Templar（Adam Rayner）以「当代罗宾汉」自居——他专门盗窃那些富有的罪犯，并且每一次都能逃过黑白两道的追捕。作为一个精通伪装术、武术、间谍术和各种武器并且口才出众的超级间谍，这个英国绅士被某个政府机构征召，准备从事一项秘密任务，但当地执法机构对他恨之入骨。

《一仆二主》由理查德·比恩（Richard Bean）改编自意大利即兴喜剧创始人、剧作家卡罗·哥尔多尼（Carlo Goldoni）创作于1743年的名著《一仆二主（Servant of Two Masters）》（意大利语：Il servitore di due padroni）的英文版本，故事背景设置在1960年代的英国布里顿，由英国国家剧院前艺术总监尼古拉斯·希特纳执导。詹姆斯·科登在里面饰演一个同时为两个雇主工作、又不敢让他们发现真相的贪食胖仆人。

弗兰克（尼古拉斯·凯奇 Nicolas Cage 饰）是一名大型动物禁猎区的管理员，这一次，他参与了一项非常危险的任务，那就是护送一艘载满了珍奇而又危险的大型动物的船只，从亚马逊驶往希腊。船上除了野生动物外，还有更危险的生物存在，那就是老道而又狡猾的杀手劳夫乐（凯文·杜兰 Kevin Durand 饰）。　　果不其然，在行程中，劳夫乐甩掉了负责看管他的警察，放出了关在牢笼里的凶猛而又致命的猛兽，一时之间，正艘轮船陷入了混乱之中。身为负责人的弗兰克，不仅要保证野生动物们不被伤害，也肩负着船员们的性命，还要追捕危险的逃犯。

一直以来，宝拉（玛莎·马森 Marsha Mason 饰）都带着女儿露西（奎恩·库明斯 Quinn Cummings 饰）和男友一起过着同居生活，一天，宝拉震惊的发现，男友不仅不辞而别，还将宝拉最后的庇护所——他们的房子租给了另一个陌生的男人艾略特（理查德·德莱福斯 Richard Dreyfuss 饰）。　　幸运的是，艾略特是一个善良的男人，他不仅同意宝拉母女两继续住在这里，还在生活中对两人照顾颇多，随着时间的推移，宝拉和艾略特之间顺理成章地碰擦出了爱情的火花。然而，就在这时，艾略特在工作上得到了一个绝好的机会，但为此他必须远赴另一个城市，宝拉不希望艾略特离去，但艾略特亦不想放弃这个机会。