影片以“伪纪录片”的形式再现了伪造了轰动一时的“罗斯维尔事件”丑闻的始末。1995年，一部记录1947年7月4日美国新墨西哥州罗斯维尔飞碟坠毁事件后，美国军方科学家对外星人尸体进行解剖的黑白纪录片被证明是一场骗局，引起了世人极大的轰动。拍摄这部解剖外星人短片的年轻人雷·桑蒂利（德科兰·当纳利 Declan Donnelly饰）和盖理·舒菲尔德（安东尼·迈克尔帕特林 Anthony McPartlin饰）一手操办了这场欺骗世人的疯狂闹剧。但这两位年轻人还是坚称他们的确有拿到母片，只是影片因故损毁，他们才不得不进行伪造。

为了不让女儿被恶魔附身，一对夫妇展开了逃亡的战斗。　　A couple on the run battle to save their daughter from possession by a demon.

一个女演员想永葆青春，于是便亲身试验了一种号称能抗衰老的液体，结果青　　春非但没保住，那致命的副作用反而使她变成了可怖的怪物……　　----------zombiehunter

改编自同名音乐剧，故事以罗尔德·达尔1988年的同名小说为基础，玛蒂尔达是个天资过人的女孩，她拥有敏锐的思维和生动的想象力，敢于改变自己的人生并取得不可思议的成果。

在经历了几年的经济困难后，一位年轻的母亲决定回去工作，帮助她的前夫应付日益增长的账单。由于没有人照看他们四岁的女儿，这位母亲决定把她送到当地一家名为“小家伙”的日托中心，这家日托中心的主人是一位看上去很负责任的老妇人。米娅的尴尬行为持续了几周后，瑞秋得出结论，她的女儿可能受到了中心一位日托老师的虐待。

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

男主角雷蒙表面上是小镇的玩具店老板，实际上却是国家的超级特务。为了执行任务，他经常在世界各地飞来飞去，因此而错过儿子的棒球比赛，甚至见不到妻子的最后一面。然而，不管雷蒙怎么隐瞒他的真实身份，仇家还是找上门来，并且让他变成了阶下囚。唯一能挽救他的人，只有当时在场目睹一切的儿子。　　本片的故事架构跟阿诺主演的《魔鬼大帝：真实诺言》有点雷同，但制作规模和娱乐效果均相差甚多，职业摔角高手库克霍根饰演这名有口难言特务父亲，企图在这部家庭片中展现亲和力，可惜导演约翰．莫洛斯基拍不出效果。

兴趣怪异的女孩凯咪（Meghan Heffern 麦汉•海弗恩 饰）尤其喜好研究昆虫，即使在热闹的联谊会上也不忘记她的研究。她正致力改造昆虫的基因，以提高它们的智商。但在混乱的联谊会上，实验用的昆虫不慎走失，它们不断袭击狂欢的人们，尤其对美丽的派对女孩们感兴趣。随着食物的摄入，变异昆虫的体形逐渐膨胀，并且它们的智力也飞速提高。恐慌的人们不禁要小心被吃掉，还要时刻跟这帮食人恶魔斗智斗勇。更为恐怖的是，受到昆虫感染的人类也开始掠食人肉。　　这是一场悬殊且胜算渺茫的对决……

2013年新年将至，盘桓在国际大都会美国纽约的三个泰国小青年：藏着诸多秘密的小碧（Jarinporn Joonkiat 饰）、超级啃老族杰克（Pachara Chirathivat 饰）、风骚贱格追逐物欲的小潘（Pattarasaya Kreuasuwansri 饰）无聊头顶，决定在租住的公寓内好好狂欢一下。杰克从隔壁的吸毒分子那里找到毒贩子残缺的电话号码，并最终联系上了癫狂多话的贩毒佬黑苏斯（David Asavanond 饰）。夜幕降临，黑苏斯带来的毒品让三个人high翻天，他们围坐一起说着无聊且有些残忍的笑话。感觉到气氛有些不对，三人决定快点付钱送走黑苏斯，却意外发现这个家伙似乎并非他们要找的毒贩子。　　可是一切为时过晚，疯狂的黑苏斯即将对他们展开恶梦一般的大审判……

讲述一个地区受到许多神秘灾难和厄运袭击，因为未知的灵魂透过一名年轻男子来引诱人们，将他们带向令人战栗的命运。