A skateboarder investigating the mysterious death of his roommate is led into the inner workings of a self-help company, and the pharmaceutical lab behind it.

美剧《shameless》将推出衍生剧，回顾每个角色在前十季的成长经历，第一集将以伊恩（卡梅隆·莫纳汉饰）和米奇（诺尔·费舍饰）为主角，展示他们之间独特的关系，以及从十几岁到充满爱情的复杂的婚姻的演变过程。　　The 11th and final season of Showtime’s signature comedy Shameless is under way, and now it’s getting a hybrid recaporiginal extension series of sorts. The premium cabler has set Shameless Hall of Shame to premiere Sunday, December 27.　　The six-episode Hall of Shame will feature new, original Shameless scenes juxtaposed with a retrospective look at each character’s journey during the prior 10 seasons. The first episode will feature Ian (Cameron Monaghan) and Mickey (Noel Fisher), showcasing their unique relationship and its evolution from a teen fling into a loving, complicated marriage. New episodes will be interspersed throughout the final season.

本片讲述空军上尉甘见·萨塞纳开创历史的从军之途，看她如何从一位怀抱雄心壮志的飞行员，一路到卡吉尔战争期间，成为印度首位女性战机飞行员。

Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”

TURTLE TALE is inspired by events that took place at the George C. McGough Nature Park in Largo, Florida - the story of JR the OWL as witnessed and told by the nature park's first inhabitants, 'THE TURTLES'. The turtles, HANK, RAFI and GOLIATH, and their community live in a beautiful pond with nice clean water, lots of food and are witnesses to all the events of the park as they get ready for another busy summer camp season, never suspecting what is about to happen at the park and to themselves.　　一群青少年、一个野生动物公园、一个夏天组合在一起，以海龟的视角发生的一段故事。

Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

庞贝大道玉辇过，金鞭络绎向帝国，火山宫殿烧焚尽，驱舟赶逃繁华落

Judy是庞克摇滚乐团DUH的贝斯手，她梦想着成为全职的音乐家。为了替乐团的首次巡回演出找到适合的厢型车，她必须和吃人大叔成为盟友。吃人大叔是一位有魅力、爱吃人的乡巴佬。除了艰困的摇滚乐人生之外，Judy还要想办法处理那些巡回演出后被吃一半的尸体。

在莎拉（Sarah）生日那天，她最好的朋友维多利亚（Victoria）给了她一套基因检测试剂盒作为礼物，以便她可以更多地了解家人的血统。但是那天晚上，维多利亚被惨死了。几周后，莎拉敲了敲门，是警察。

Jimmy Reardon and Mary Spalding head their respective organizations, Mary as Director of the Organized Crime Unit, Jimmy the boss of his family's organized crime business. Unexpectedly, Mary successfully recruits Jimmy to act as her star individual in the OCU's underground intelligence network on organized crime. However, it's a two-way street as she needs to provide Jimmy with inside information on police knowledge of his businesses. Both Mary and Jimmy need to tread lightly in their relationship while they try and maintain a grip hold on their respective businesses.