无人呼叫
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50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。  In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
思春少妇
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[K(松佳·里奇特SonjaRichter饰)是一名小有名气的摄影师,稳定的婚姻生活为她的职业前途奠定的稳固的基础。一个名叫马奇柯(马辛·多洛辛斯基MarcinDorocinski饰)的男人出现在了K的梦中,他的英俊和风流让K无法自持的陷入到了感情和欲望的漩涡中。在一次次水乳交融的激情碰撞中,K已经无法再分清楚,她身处的究竟是梦境还是现实。终于,K在梦中耗尽了全部的精力,身处绝望边缘的她选择了自杀,当她纵身跃下高楼时,在睡梦中惊醒的居然是马奇柯。原来,K亦是马奇柯的一个梦境。这个可怕的梦境一直纠缠着马奇柯,使他陷入了同K一样的困境之中,与此同时,K早已改头换面,迎来了她新的生活。]