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“日落大盗”Garcia以铁腕贩毒称雄美洲，但突然有一天，一位神秘的人物却突然向他展开了复仇。为了复仇，神秘者雇佣了六位杀手，并不是因为Garcia有六条命，而是他希望夺走Garcia的六个生命一
6种死亡方式
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“日落大盗”Garcia以铁腕贩毒称雄美洲，但突然有一天，一位神秘的人物却突然向他展开了复仇。为了复仇，神秘者雇佣了六位杀手，并不是因为Garcia有六条命，而是他希望夺走Garcia的六个生命一
After a global neurological epidemic, those who remain search for meaning and connection in a worl
余烬2015
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After a global neurological epidemic, those who remain search for meaning and connection in a worl
弗兰奇（艾德里安·布洛迪 Adrien Brody 饰）刚刚结束为期十年的漫长牢狱之灾，然而，艰苦的铁窗生活却并没有改变他暴戾邪恶的性格，刚刚出狱没多久，他便开始筹划着干一笔大买卖，以此作为收官之
美国劫案
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弗兰奇（艾德里安·布洛迪 Adrien Brody 饰）刚刚结束为期十年的漫长牢狱之灾，然而，艰苦的铁窗生活却并没有改变他暴戾邪恶的性格，刚刚出狱没多久，他便开始筹划着干一笔大买卖，以此作为收官之
After a global neurological epidemic, those who remain search for meaning and connection in a worl
余烬
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After a global neurological epidemic, those who remain search for meaning and connection in a world without memory.
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《街童》是巴西著名导演赫克托.巴本科第一部获得国际声誉的经典影片，是80年代巴西最好的电影之一，1982年金球奖最佳外语片提名等众多国际性电影大奖。
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凯蒂扮演的音乐评论家，是一位老钢琴家(帕特里克饰)的精神支柱。在她不幸离世后，钢琴家来到瑞士，完成了精神的救赎。
Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadist
胆包天
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所
所有死者
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1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。