被趕出森林後，伍迪原以為能永遠住在武虎營，卻萬萬沒想到有審查員想讓營地關門大吉。

一位爱斯基摩人受了受了族长的委托，来到了繁华的纽约，要告诉大家：如果人类再不改变自己的行为，那么世界将会毁灭。女孩克洛伊被他的真诚善良打动，决定帮助他。城市与质朴的碰撞，就此开始。

罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》，在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同，南非的歌迷得不到任何一点关于罗德里格斯的信息，除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后，他好像也就此销声匿迹。　　对于在南非的辉煌成绩，罗德里格斯其实并不知情，他在美国过着截然不同的生活，没有知名度，专辑销量不佳，被唱片公司抛弃，曾经一度做着装修屋顶的体力活…… 南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查，寻找小糖人之路就此开始，一段神秘的传奇故事就此展开……

本剧是同内核、同基础设定的电影IP重塑剧集，不是对1987年原电影的直接翻拍。 　　剧本根据Alexandra Cunningham和Kevin J. Hynes合写的故事创作，讲述Alex在一场短暂的婚外情后，迷恋上了自己的情人Dan。剧集将从现代对女强人、人格障碍和强制控制的态度出发，探索永恒的主题：婚姻和不忠。 　　1987年电影中，Glenn Close饰演Alex，Michael Douglas饰演Dan，Anne Archer饰演Dan的妻子。

艾利（约翰·C·赖利 John C. Reilly 饰）和查理（华金·菲尼克斯 Joaquin Phoenix 饰）是一对杀手兄弟，某日，他们接到了一项任务，去暗杀一名淘金者。于是，两个男人火速从俄勒冈前往旧金山，一路上，两个人遇到的麻烦可不少，但他们凭借着智慧和勇气将它们一一化解，最终安全的抵达了目的地。　　当他们见到了他们的目标时才发现，这个名叫沃姆（里兹·阿迈德 Riz Ahmed 饰）的男人是一名化学家，他发明出了一种神奇的药剂，可以帮助人们更快速的寻找到金矿的所在。两利相权取其重，艾利和查理当即决定辞去杀手这份工作，转而成为来钱更快的淘金汉，哪知道他们为这个鲁莽的决定付出了沉重的代价。

Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.

杀手（约翰·库萨克）接到神秘商人（罗伯特·德尼罗）的委托，去取回一个重要的包裹。他来到了交易场所汽车旅馆，与一个金发美女不期而遇，事情突然变得棘手起来，包裹里究竟装了什么，神秘美女又是什么背景，让杀手陷入了前所未遇 的绝境。

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

由克里斯托斯·尼寇执导，阿利斯·塞勒维塔利斯主演，故事讲述在不远的将来，一种不知名的传染病在城市里蔓延，症状为患者会突然失去所有的记忆，染病的原因不明，也没有疫苗预防与相关治疗手段。而主角作为在街上突然「断片」被安置到新居的人，没有身份证件也无家人认领，只知道自己爱吃苹果。

阿兰·吉罗迪今年的作品《保持站立》于戛纳争夺金棕榈还未结束，他的下一部作品《隐伏的付出》(Pays Perdu，暂译)已提上日程。影片讲述一名环保业内人士欲关闭法国南部某村落的一家牛奶厂，当他在接触工厂里的人，并爱上这里的一个人后，他打算放弃原先的计划。目前该片尚无其他消息。