偏僻平静的小镇，人们各有各的烦恼。沉湎于酒精的憔悴女人莎拉（艾米·西米茨 Amy Seimetz 饰），在某戒酒社团内结识了风趣幽默的凯文（乔·斯万博格 Joe Swanberg 饰），仿佛是被新生活所吸引。她开始频频与凯文接触，两人最终坠入情网。　　与此同时，在另一座城市的监狱中，恐怖的连环杀手盖瑞克·特内尔（A J·博文 AJ Bowen 饰）越狱逃亡，他一路上大开杀戒，只为躲避警察的追捕。而让这个恐怖恶魔如此疯狂的，正是他那身心俱疲的前女友——如今早已改头换面准备拥抱新生活的莎拉。有如猎犬一般，盖瑞克嗅到了莎拉的踪迹。他带着血腥气息一路前来，再次侵入那个饱受惊吓的女人的梦中……

Lindsey Lou's father has gone missing on a mountaineering expedition and she's determined to find him, only she's the least qualified for the job.

康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。　　Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

演艺学校的学生俊哲在即将毕业参加出演时因与其女友同居而被学校开除，又被女友逼婚，于是决定出走，正当无处可去的俊哲深感难堪时，前辈因出差，家里的猫咪没人照顾希望俊哲入住其家中照顾猫咪，于是俊哲欣然前往前辈家，让俊哲大感意外的是前辈所说的猫咪竟然是一个少女.....

疫情年代，一栋老公寓，两户对门邻居，阴差阳错串在一起。阿勋因老板染疫返家，却要面对两年前那场大火，在姊姊、妈妈和布袋戏爷爷心上留下的创口；对门的混血姊弟日日为出逃养老院的父亲烦忧。阿勋迷上邻居姊姊，也和弟弟志趣相投。怎料离别来得匆匆，原来在心与心相印的背后，还藏着动人线索。导演张作骥以新作拆解大疫时代下的人际，为不完美的人生，奏响改变命运之声。

暂无剧情

An ex junkie witnesses a murder. She is forced to cooperate with the killer to save her daughter's life. She must fight time, the police and criminal underworld to save the only person who means something to her.

《还有诗和远方》由4位不同年龄段的嘉宾成员，组成“诗和远方旅行团”，与每次新鲜加入的具有“浙江印记”的飞行成员一起，根据名诗佳作中山河壮丽的指引，前往出发三条“浙江黄金诗路带”上的八个地区。感受诗中美景，感受风土人文，感受八种情境、心绪下的旅行，寻找八个维度下的“诗和远方”。每一次旅行结束前，嘉宾成员通过不同“旅途印迹”的形式，给予本次旅行以回应。

《我是你的月亮》剧情讲述了1913年两个相爱的女人，却注定不能在一起。然后他们在2021年的另一个生活中再次相遇，但事情仍然不容易。　　佛历2456年，由于Atitthan公主和Katsakorn公主受传统阻碍，两位女生无法相爱，她们就像太阳和月亮，永远不会成对，因而在一起交往也是不可能的。　　佛曆2564年，过去已经过去，时代已经改变，直到她们再次相遇，当Katsakorn和Atitthan偶然相遇时，甚至爱也在心中绽放，但爱的道路从來都不容易。　　两人仍然必须携手突破，即使不是打破传统，但过去的故事仍然与影响会联系在一起。　　~ ~改编自艾斯的小说《katsathitthan》(กัษธิษฐาน)。　　The plot of I'm Your Moon tells about two women in love in 1913, but destined not to be together. They then meet again in another life in 2021, but things are still not easy.　　In 2456, Princess Atitthan and Princess Katsakorn were hindered by tradition, so the two girls could not fall in love. Like the sun and the moon, they would never be paired, so it was impossible to get together. In 2564, the past has passed and the times have changed until they meet again. When Katsakorn and Atitthan meet by chance, even love blooms in their hearts, but the road to love is never easy. The two still have to work together to break through, even if they don't break the tradition, the stories of the past are still linked with the influence.　　~~ Adapted from the novel Katsathitthan (กัษธิษฐาน) by Ace.

母亲去世后，因为阿尔玛在 Sasmaya 公寓找到了一份经理的工作，她和妹妹米娅从雅加达搬到了泗水。由于意外，阿尔玛和米娅来到了封闭的6楼，去往了 610 房间。在那里她们看到了一个神秘女人和一个小女孩，小女孩口中念叨着：四天，日落......” 原来，610 是个闹鬼之地，任何到了这儿的人都会在四天后的日落时分死去。