威廉·夏特纳和伦纳德·尼莫伊2001年为纪念DeKelley拍的纪录片，整部就是两个人对话，超级有爱，两位爷爷唠家常的纪录片，看到最后谈到两个人关于人生终点的看法，WS和LN一同坐在LN家里的院子里，晴空微风，绿树绿草，两位老人时而大笑时而严肃的交谈，让人感觉甜蜜又感动，这是ST所延伸的又一份美好。是经历了岁月越发耀眼的珍宝。

Lauren wants to rebuild her community, including her family home, in the aftermath of a devastatingly disastrous storm.

It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....

Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet.　　While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.

一个想当电影制片人的电影制作人说服一个不情愿的电影导演，当两人都突然被一个神秘的团伙绑架时，他们给予指导。

It follows a hard-driving LA wine-company executive who travels to an Australian sheep station to land a major client and there she ends up working as a ranch hand and sparking with a rugged local.

它也许是世界上第一部真正的摇滚电影，也是摇滚这个词第一次被用到电影中，以今天的眼光来看，它其实和一部纪录片差不多，因为片中的情节几乎可以忽略不记，台词也只是对音乐的铺垫，它真正的意义在于汇集了摇滚乐最早一批乐手歌手的现场演出，并用这些疯狂在现实世界里引出更多疯狂，由于比尔·哈利、“彗星”等人的演出实在疯狂，而引起的骚乱又太多，所以在英国众多城市遭到禁映。

Siskel and Ebert once ran a special show entitled Movies I'm Embarrassed to Admit I Liked. I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up.　　This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more the dialogue is laced with sharp wit; there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending; later, at another lecture there are more tape recorders than students; and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!); and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine).　　It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the girl-nerd who made being smart and female something to be emulated. And there's Tears for Fears great song, Everybody Wants to Rule the World providing the perfect coda as the closing credits begin to roll . . . . Yes really now, what's there to be embarrassed about

在本片中，罗依德扮演一名百货公司的店员。该公司为了商业宣传，请了一位特技演员前来表演从楼下爬到大楼屋顶的绝技，不料那位特技演员途中与交通警员发生了纠纷而无法赶到。百货公司为了向围观的群众有所交代，只好由罗依德权充演员，在众目睽睽之下表演特技。

Buster Keaton's final silent feature, as well as the final film in which MGM allowed him any creative control.