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才情旷世、桀骜不驯的苏联芭蕾舞巨星雷里耶夫，是兼具自信、欲望与野心的白鸦，坦然放荡于双性之间。影片将他在西伯利亚铁路呱呱坠地，以至在巴黎 演出期间投奔西方的经历前后交接；在恩师普希金眷顾训练下，成
白乌鸦
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才情旷世、桀骜不驯的苏联芭蕾舞巨星雷里耶夫，是兼具自信、欲望与野心的白鸦，坦然放荡于双性之间。影片将他在西伯利亚铁路呱呱坠地，以至在巴黎 演出期间投奔西方的经历前后交接；在恩师普希金眷顾训练下，成为全球首屈一指芭蕾舞男星。赖夫费恩斯（《狄更斯的隐密情人》，38 届）演而优则导，舞坛新星奥力伊凡高首次担纲，配搭“芭蕾坏男孩”瑟基普鲁尼，借新一代光华， 向不朽芭蕾男神致敬。
本片记录了芭蕾王子——英国皇家芭蕾舞团首席舞蹈家Sergei Polunin几近成名前的故事。影片跟随着Sergei的舞步从美国到英国再到乌克兰，带观众体验世界各国舞蹈的魅力。而影片更是展现了很多
舞者
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本片记录了芭蕾王子——英国皇家芭蕾舞团首席舞蹈家Sergei Polunin几近成名前的故事。影片跟随着Sergei的舞步从美国到英国再到乌克兰，带观众体验世界各国舞蹈的魅力。而影片更是展现了很多难得一见的幕后故事，和舞蹈家们人性的一面——他们虽然来自不同的文化和社会背景，但内心深处都同样充满细腻、热爱。
Soorma is the story of the triumph of the human spirit, about a player, who made headlines for his
索尔玛
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Soorma is the story of the triumph of the human spirit, about a player, who made headlines for his miraculous comeback after facing a near death experience through sheer determination, hard work and unrelenting passion for the sport.
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《爱情战场》法国导演雅克·杜瓦隆编导，文森特·林顿主演。为纪念法国雕塑家罗丹逝世100周年的剧情电影，描述罗丹与女学生、未婚妻间的情爱纠葛。
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident
拉莉萨
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
老警察局长即将退休，新警察翻看局长书柜，发现库鲁普案件：库鲁普是印度空军的老油条，在役期间投机倒把、倒买倒卖。退役后到伊朗跨国公司工作，为阿拉伯王子做帮手。为贪污阿拉伯王子的300万美元费用，回印
库鲁普
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老警察局长即将退休，新警察翻看局长书柜，发现库鲁普案件：库鲁普是印度空军的老油条，在役期间投机倒把、倒买倒卖。退役后到伊朗跨国公司工作，为阿拉伯王子做帮手。为贪污阿拉伯王子的300万美元费用，回印度找朋友设计自杀保险索赔。几个朋友为了贪图80万卢比的保险赔款，杀了他人假冒库鲁普自杀现场，被警方追查后仍然逃脱制裁。