韓順雲，一個大學學務處雇員退休的未婚老婦，伴隨她生活的是年邁的老母。兩個女人看似彼此相互折磨，更像是支撐對方繼續活下去的唯一依賴。有一天，她居然被兩個半夜潛入的小鬼強暴了。原因竟是因為她的母親……

After the abduction and assumed death of Mackenzie Allen Phillip's youngest daughter, Missy, Mack receives a letter and has the suspicion it's from God asking him to return to The Shack where Missy may have been murdered. After contemplating it, he leaves his home to go to The Shack for the first time since Missy's accident and encounters what will change his life forever.

本片根据海南省海口市6.22真实事件改编。　　美丽的海岛城市滨海看似平静的表面下毒潮汹涌，缉毒警徐飞根据线人许三筒的线报获知滨海市近期冰毒价钱有幅下降，徐飞推断近期可能会有大批冰毒流入本市。同时徒弟陈晓丹在桥头镇居委会发现复吸人员数量有增无减。警方经过多方排查和技术侦测，发现桥头村的确隐藏着一个巨大的制毒工厂，市局当即决定成立禁毒专案组，此次行动代号定为“狩猎”，打响了滨海市禁毒三年大会战的第一炮！一场正义与邪恶沉沦与救赎之战正在上演……

恐怖分子劫持了一架民航客机，逼迫机长将目的地设往一座坐满了观众的运动场。在紧要关头，一名德国战斗机飞行员不顾上级指令，在民航机撞向体育场前先行将其击落。他拯救了数万名无辜的观众，却牺牲了飞机上所有的乘客，因此出庭受审。《审判》是一部新颖的互动式电影，邀请观众参与剧情走向的抉择。在听完飞行员为自己的辩解后，观众们要以即席投票的方式，亲自做出决定，选择观看飞行员是有罪还是无罪的影片结局。

Sarah, a struggling young woman living in Brooklyn, agrees to volunteer as an experimental subject for a pharmaceutical company called Dynamic Health Cure to be the bearer of LEXX and make money to solve her financial troubles and take care of her mother who has Alzheimer's. A nano chip is planted into her cerebral cortex and designed to take control of the body in order to contain diseases as soon as they occur. But when the implant with artificial intelligence turns sinister and orders her to commit crimes, Sarah is plunged into a murderous spiral with only one choice to live or die.

Wavve原创电影《绅士》(Gentleman)是征信所社长池贤秀(朱智勋 饰)在洗脱冤屈的过程中卷入巨大事件的轻快的犯罪娱乐片。该片讲述了池贤秀(朱智勋 饰)为了在一周内洗清冤屈，与金华镇(崔成恩饰)合作，亲自寻找受害者的紧张感十足的故事。朴成雄将在《绅士》(Gentleman)中饰演贵族检察官出身的律师事务所代表权度勋（音）一角，展现强烈的存在感。

林满月是一个性格开朗，对生活持有乐观积极态度的小妞，她有着一群性格各异的好闺蜜。一次意外使她背上了不菲的债务。为了偿还债务，她被迫走上了成为“女神”的道路，不料换来的却是束缚和忧伤，逐渐失去亲情和友情…… 成为女神的林满月能否重拾初心，找回自己？闺蜜们又该何去何从？

正当镇宇（刘智泰 饰）和妍伊（尹珍瑞 饰）沉浸在新婚的幸福和快乐中时，悲剧发生了。一次意外中，镇宇成为了不能动也没有意识的植物人，面对这一噩耗，痛苦的妍伊只能擦干泪水默默的忍耐。得知了哥哥的不幸，常年在外游历的弟弟镇浩（刘智泰 饰）回到了哥哥的身边，看着镇浩那和镇宇极为相似的的脸、身体和神情，妍伊陷入了矛盾之中。　　欲望的火焰一旦被点燃就不会轻易熄灭，妍伊贪恋着镇浩那熟悉的容颜，而镇浩则对妍伊的脆弱和悲惨境遇也心声怜爱，两情相悦的二人再也无法忍耐，踏过了伦理的界线。而就在此时，镇宇苏醒了，一段极为危险的气氛在三人之间弥漫开来。

一个患有精神分裂症的少女开始怀疑她的邻居绑架了一个孩子。她的父母不顾一切地帮助她过上正常的生活，却不暴露自己悲惨的秘密，唯一相信她的人是卡莱布——一个她甚至不确定是否存在的男孩。

A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.　　Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.