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The film revolves around Bheeshma, a man making his living as a meme creator, who wants to remain
有机爱情
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The film revolves around Bheeshma, a man making his living as a meme creator, who wants to remain single forever. But will he be able to
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一位美食和美酒评论家,在不小心参观了一家她过去经营的酒厂时撞到了她的头并失去了记忆,该酒厂由单身父亲迈克尔拥有和经营。
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves
死神假期
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
Amalie's dance crew advances to the global finals in France. Torn between the love of Mikael, th
随风起舞
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Amalie's dance crew advances to the global finals in France. Torn between the love of Mikael, the longing for her absent mother, and her fire for dance, Amalie must choose. Who is she to become
萨姆与塔斯克(费斯与图奇分饰)是一对相守20年的伴侣,俩人计划驱车穿越英格兰探访朋友、家人和过去待过的地方。自两年前塔斯克被诊断出患有早发性痴呆以来,他们在一起的时间便成了他们之间最重要的事。但是
超新星
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萨姆与塔斯克(费斯与图奇分饰)是一对相守20年的伴侣,俩人计划驱车穿越英格兰探访朋友、家人和过去待过的地方。自两年前塔斯克被诊断出患有早发性痴呆以来,他们在一起的时间便成了他们之间最重要的事。但是随着旅程的进行,他们对于未来的想法充满冲突,过往的秘密也不断涌现,并且他们对彼此的爱从未像现在这样受到考验。最终,他们还必须面对这样一个问题:面对塔斯克的疾病,彼此相爱意味着什么。
祺(古巨基)自小做事就很有计划,身为深圳某家公司的高级职员,他已规划好何时同在日本留学的女友June(陈颖妍)结婚、退休等人生大事。某日看过June发来的一封E-mail后,他休假来到日本。令他想
红苹果
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祺(古巨基)自小做事就很有计划,身为深圳某家公司的高级职员,他已规划好何时同在日本留学的女友June(陈颖妍)结婚、退休等人生大事。某日看过June发来的一封E-mail后,他休假来到日本。令他想不到的是,June已与他的死党,在日本学漫画的Sam(李灿森)坠入爱河。 祺无法接受未来被打乱的事实,失意地来到咖啡馆,结识从台湾来日本发展事业的模特Kiki(舒淇)。Kiki在日本遭受过许多打击,但一直乐观开朗,在与她相处时,祺的心情有些微改观。其后两人扮24小时情人,过程中Kiki爱上了祺,祺也在分手那刻察觉出了心的不舍,但他仍要自己理智大于情感。

