一位著名的神经外科医生向他的学生讲述了他与一位已婚女子的风流韵事，以及在风流韵事结束后，这名女子某天从窗户摔下去而死。外科医生怀疑她是被谋杀的，并开始寻找杀害她的凶手。但是他并不打算把疑犯交给警察，而是计划向凶手复仇。

才华横溢的表演艺术家安托尼成功的扮演了许多角色，可是到了老年功成名就的时候却找不到自己，他迷失在黑色的舞台上。他怀疑，猜忌，神经过敏，他在演死亡之吻的时候迷失在奥赛罗的险影里，黑暗中总有一股力量把他推向困惑的边缘。

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此为表现苏联侦察员建立功勋的影片。卫国战争期间，苏军侦察少校费道托夫奉命于夜间跳伞到敌占区，去刺探德国大本营的军事行动计划。他的侦察对象是掌握德国最高军事秘密的司令官孔恩中将。费道托夫在敌占区化名为亨利·艾凯特，变成一个举止阔绰、颇有气派的巨商。费道托夫想方设法与间谍头目卢迈堡发生联系，打入他们的内部。经过一连串机智勇敢的斗争，终于了解谁是潜伏在苏联某部门向敌人提供情报的叛徒，给他以应得的惩治。最后，费道托夫抓到了孔恩。　　勇敢、机智、沉着的苏联侦察员，就这样立下了伟大的功勋。

16岁的美丽少女阿贝尔（琳达·达内尔 Linda Darnell 饰）离开了让她倍感压抑的原生家庭，前往伦敦，投奔一个名叫布鲁斯（Jefferson Pascal 饰）男人。很快，这对小情侣就花光了所有的积蓄，为了维持生计，布鲁斯出海成为了一名走私犯，而阿贝尔则在误打误撞之中进了监狱，此时她震惊的发现，腹中已经怀上了布鲁斯的孩子。　　在强盗杰克（约翰·拉塞尔 John Russell 饰）的帮助之下，阿贝尔从监狱里逃了出来，之后被杰克卖到了剧院。在那里，阿贝尔邂逅了拉德克里夫公爵（理查德·格林尼 Richard Greene 饰），很快，两人结了婚，阿贝尔一跃成为了公爵夫人。就在这个节骨眼上，布鲁斯再度出现在了阿贝尔的面前，并且向她索要那个属于自己的孩子。

Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other. Written by Will Gilbert

本片被认为是Ealing Studios出品的非喜剧作品中最优秀的一部，以黑色电影的手法刻画了伦敦东区工人阶级的浮生一日，堪称是激进现实主义（kitchen-sink）作品的先驱。2008年，在纽约的英国黑色电影放映季上，本片获得了美国影评人的高度赞扬，但是在此之前，本片一直鲜有人知，因此被认为是一部被忽略的1940年代英国电影杰作。《The Village Voice》夸赞本片是一部“描绘‘困境’与‘未遂心愿’的杰作，在闪回和多重叠加叙事方面极具创新性，韦瑟斯与麦卡勒姆的表演也精彩至极”。《Time Out》则评价本片是“令人无比兴奋的一部作品！一部生气十足却又凄惨无望的惊悚片，罗伯特·哈默的这部伦敦底层阶级乱炖所伴随的残忍无情与精准无误十分激荡人心，这是大部分电影都不敢尝试的，更别说能实现这一点了”。本片从一个阴雨连绵的周末清晨开始讲起，生活在伦敦东区的家庭主妇萝丝·桑迪盖特（乔姬·韦瑟斯 饰）偶然得知了汤米·斯万（约翰·麦卡勒姆 饰）逃狱的事情，萝丝不禁回想起往事，原来她与汤米曾是旧日情人，差一点便迈入婚姻殿堂，但就在俩人订婚后不久，汤米突然锒铛入狱，萝丝只好另嫁他人,令她没想到的是，逃狱后的汤米居然登门求助，念及旧情的萝丝只好将他藏匿在自己的卧室中。萝丝的丈夫乔治·桑迪盖特（爱德华·查普曼 饰）与前妻生有两个女儿——薇和多丽丝，薇怀有唱歌梦，与在乐队工作的已婚男人莫里·海姆斯暧昧不清，多丽丝则被海姆斯的兄弟卢看上，卢邀请她去夜总会工作，多丽丝的男朋友泰德因此与她大吵一架。福瑟吉尔警官一边追查汤米的下落，一边调查一起仓库失窃案，犯下失窃案的正是在东区游荡的怀提一帮人，他们为了转手赃物想尽办法，最终却被老尼斯利占了便宜，为了报仇，怀提决定暴力抢劫老尼斯利。到了深夜，萝丝打算帮助汤米逃跑，不料突然登门拜访的记者令萝丝陷入不知所措的困境。

路易斯（罗伯特·卡明斯 Robert Cummings 饰）是一名出版商，某日，他得到了一条机密消息，上世纪一位非常有名的诗人，他的情人朱莉安娜（阿格妮丝·摩尔海德 Agnes Moorehead 饰）依然存活于世，并且保留了自己和诗人之间的通信。为了得到这些信，路易威隐姓埋名，伪装成为了一位小说家，以住客的身份接近并且入住了朱莉安娜的家中。　　如今，朱莉安娜和自己的侄女蒂娜（苏珊·海沃德 Susan Hayward 饰）生活在一起，蒂娜对于路易斯的到来非常的反感，处处针对他，当地的神父亦告诫路易斯，要远离这个家庭，否则会发生不幸。朱莉安娜和蒂娜的背后，究竟隐藏着什么秘密呢？

加里·格兰特在片中扮演一位画家，秀兰·邓波儿饰演一个纯真的年轻姑娘，玛娜·洛伊扮演年轻姑娘的姐姐。年轻姑娘深情不渝的爱上了魅力四射的画家，但画家只想利用这种关系来接近小姑娘的姐姐。但这位生活稳定的女记者却出于傲慢和对其妹妹感情的双重顾虑而拒绝接受画家的爱。最后画家利用其过人的幽默感把这原本很糟糕的情势化为了快乐的结局。

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.