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Valerie在一次明显的酒后驾车事故中杀死邻居后多年从监狱回家时，她只想继续好好的生活 - 直到死者的儿子出现在门口，很明显过去不容易被遗忘。
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves
死神假期
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
A witness under police escort is attacked. A policewoman, the only one who survives, is sheltered
死亡血路
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A witness under police escort is attacked. A policewoman, the only one who survives, is sheltered by indigenous people, but assailants hunt her down... An action thriller set in Bataan.
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讲述一个不光彩的网红试图通过在鬼屋里独自直播一晚来赢回他的追随者。但当他不小心惹怒了一个复仇的灵魂时，直播变成了一场实时的生命之战。
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Students and teachers begin dying the same way as a video depicts.
一脸疲惫的心理医生何宁（温兆伦 饰）回到家中，诡异地收到一个装着精美双鱼玉佩的神秘包裹。随后他接到一通电话，按照对方的指示来到破败且无人居住的702房间，结果发现他所负责的抑郁症女患者李泽尚（杨心
死亡之谜
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一脸疲惫的心理医生何宁（温兆伦 饰）回到家中，诡异地收到一个装着精美双鱼玉佩的神秘包裹。随后他接到一通电话，按照对方的指示来到破败且无人居住的702房间，结果发现他所负责的抑郁症女患者李泽尚（杨心蕊 饰）在房间内上吊自杀。随后赶来的警方将何宁当场抓获，担任刑警的好友凌志杰（黄征 饰）对其展开问询，何宁被迫回忆起前几日来发生的各种匪夷所思的事件。在为李泽尚例行治疗后，前台小姐交给他一枚玉佩，适逢妻子董昕洁（余思潞 饰）的生日，何宁下班后带着礼物回家。原本你侬我侬的夜晚，妻子竟在他的眼前跳楼后消失。 原本平静的生活陷入混乱，何宁该如何找回自己的人生……
Nerdland is an R-rated cartoon comedy about celebrity, excess, and two showbiz nobodies, John (Pau
死宅之地
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Nerdland is an R-rated cartoon comedy about celebrity, excess, and two showbiz nobodies, John (Paul Rudd) and Elliott (Patton Oswalt), with a plan to become famous—or even infamous—by the end of the night.
丹尼（亚当·桑德勒 Adam Sandler 饰）年轻时经历了一场失败的恋爱，深感被女人欺骗的他偶然间发现了婚戒的妙用，从此伪装成已婚男人四处逢场作戏。多年后丹尼已是一名成功的整形医生，他在一次派
随波逐流
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丹尼（亚当·桑德勒 Adam Sandler 饰）年轻时经历了一场失败的恋爱，深感被女人欺骗的他偶然间发现了婚戒的妙用，从此伪装成已婚男人四处逢场作戏。多年后丹尼已是一名成功的整形医生，他在一次派对上认识了美丽的女孩帕莫尔（布鲁克琳·黛克 Brooklyn Decker 饰），两人一夜定情。次日醒来，发现了婚戒的帕莫尔误以为丹尼已婚，表示要退出复杂的关系。为挽留心仪的女孩丹尼只得再次编造谎言，并央求医院的助手凯瑟琳（詹妮弗·安妮斯顿 Jennifer Aniston 饰）扮演即将与自己离婚的妻子。 只是谎言如同雪球般越滚越大，凯瑟琳的两个孩子、丹尼的兄弟艾迪等人都被卷入其中。当一行人来到夏威夷度假并遇上凯瑟琳的死对头德芙琳（妮可·基德曼 Nicole Kidman 饰）后，失控的事态朝着意外的方向发展了……