三十年代巨星埃洛弗林最佳代表作，标志着当年冒险动作娱乐片的最高水准。故事描述十二世纪英国狮心王李察统治期间，罗宾汉受到迫害，落草为寇，专门劫富济贫，成为广受尊崇的侠盗。小约翰为首的一群绿林好汉亦被

乔尼（加里·格兰特 Cary Grant 饰）在一次偶然中邂逅了名为朱莉（多蕊丝·诺兰 Doris Nolan 饰）的女孩，两人坠入了情网之中。之后，乔尼才知道，朱莉是大名鼎鼎的银行家桑德先生（亨利·科尔克尔 Henry Kolker 饰）。桑德先生对于乔尼这个一穷二白的臭小子充满了戒心，极力反对他和女儿之间的感情，相反的是，朱莉的姐姐琳达（凯瑟琳·赫本 Katharine Hepburn 饰）和哥哥奈德（刘·艾尔斯 Lew Ayres 饰）都非常中意老实巴交的乔尼。　　在兄妹三人的合力劝说之下，桑德先生最终缴械投降，不仅如此，他还在自己的银行里给女婿谋了一个好差事，可是，银行里的日子让乔尼感到十分窒息，他希望朱莉能够离开父亲的庇护，去和自己过平凡的日子。面对乔尼的请求，朱莉犹豫了。

A sparkling four-way affair overflowing with dialogue that showcases writer-director Sacha Guitry’s wit, Quadrille stars Guitry as a magazine editor whose longtime girlfriend (whom he hopes to make his fiancée) is uncontrollably drawn to a handsome American movie star. Meanwhile, a discerning reporter (Jacqueline Delubac) watches from the sidelines with amusement and provides the final corner of this romantic rectangle.

Shortly after the United States enters World War I in 1917, a Broadway actress agrees to let a naive soldier court her in order to impress his friends, but a real romance soon begins.

货车司机雅克（让·迦本 Jean Gabin 饰）出生在一个有着酗酒历史的家族之中，他一直十分的自卑，觉得自己继承了家族劣质的基因。某日，在火车上发生了一起谋杀案，雅克是唯一的目击者，他在现场看到了同事的妻子萨维丽娜（西蒙妮·西蒙 Simone Simon 饰），但是出于私心，雅克并没有将这件事情告诉警察。　　这件事情让雅克和萨维丽娜一家人成为了好朋友，随着交往的深入，雅克渐渐爱上了萨维丽娜。为了能够和心爱的女人在一起，雅克怂恿萨维丽娜杀死她的丈夫，然而在最后时刻，萨维丽娜收手了。萨维丽娜的丈夫虽然震惊于妻子的所作所为，却依然无法摆脱对她的感情。

亚当（克劳德·雷恩斯 Claude Rains 饰）有四个娇俏可人的女儿，她们分别是安（普瑞丝西拉·兰恩 Priscilla Lane 饰）、凯（罗斯玛丽·莱恩 Rosemary Lane 饰）、西恩（劳拉·莱恩 Lola Lane 饰）和艾玛（盖尔·佩吉 Gale Page 饰）。　　四个姑娘虽然身上流淌着相同的血液，但是对待爱情却有着她们各自的看法。西恩是一个金钱至上主义者，所以最终和富有的克罗利订了婚。艾玛的爱情观和姐姐恰恰相反，她相信真爱，并且坚信只要耐心等待，爱情总有一天会降临在她的身上。一天，一个名叫菲利克斯（杰弗瑞·林恩 Jeffrey Lynn 饰）的男人带着他的朋友米奇（约翰·加菲尔德 John Garfield 饰）出现在了四姐妹的生活中。

皮特（查尔斯·科本 Charles Coburn 饰）是一名大学教授，一天，他奉父亲之命，来到夜总会寻找风流成性的表弟凯斯（詹姆斯·埃利森 James Ellison 饰），哪知道却意外邂逅了夜总会的歌女弗兰西（金格尔·罗杰斯 Ginger Rogers 饰），两人一见钟情，在一夜贪欢之后，两人结为了夫妻。　　激情退却后，皮特开始为自己的冲动之举担忧起来，父亲是一个思想非常顽固的男人，绝对不会接受弗兰西歌女的身份，不仅如此，父亲还早已经为他找到了门当户对的姑娘海伦（弗朗西丝·默瑟 Frances Mercer 饰）做他未来的妻子。皮特屡屡想要向父亲坦白自己和弗兰西的关系，却屡屡遭遇失败，还让父亲和弗兰西之间的关系越来越差。

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

查理（查尔斯·劳顿 Charles Laughton 饰）是靠着在街头卖艺维生的小混混，一天，一个名叫利比（费雯·丽 Vivien Leigh 饰）企图抢走查理的卖艺所得，结果被后者抓住，两人不打不相识，查理可怜无家可归流落街头的利比，于是答应带着利比一起表演。　　聪明的利比有用极高的表演天赋，她的杰出被名叫潘斯特（雷克斯·哈里森 Rex Harrison 饰）的剧院经理看在眼里。潘斯特邀请利比去剧院演出，利比想带上查理，但被他拒绝了，两人就此分道扬镳。一晃眼多年过去，利比成为了炙手可热的大明星，而查理已久只是在街头流浪的乞丐，这样地位悬殊的两人再度相遇了。

影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧，使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后，无恶不作。他们洗劫普斯科夫，吊死爱国者。内夫斯基带领人民群众，以伊格纳特等积极分子为骨干力量，保卫了重镇诺夫哥罗德，消灭了叛徒托瓦尔其洛。最后，在楚德湖的冰面上大败条顿骑士。